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 WORKSHOPS

 
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Previous Workshops

 
Workshops are a great way to supplement regular weekly classes, or study with us as yor schedule permits. They can help kickstart a new persective on making great art. In our 15 years of business, we have invited some of the best artists working in the business to teach workshops for us. Whatever your level of ability or experience, our workshop program can help make you a better artist. Check out the current workshop offerings below.

Because we record our workshops, many artists take our workshop asynchronously, attending some days live and others via recording. These recordings are available for repeated viewing for 2 weeks after the end of the workshop. If a workshop is NOT recorded, we will note that in the description.

  • You can register online.
  • Spots are sold on a first-come, first-served basis. The number of spots available is determined by the instrcutor, but we tned to favor small classes of high quality.
  • All online classes are done through the Zoom format
  • Please review our policies regarding make-ups, refunds, and enrollment here prior to registering.
  • Click on each course name to find a course description and materials list.
 
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Many of our previous workshops were recorded and access to them can be purchased on the workshop links below, including discounts for purchasing multiple workshops.

All workshops are available for multiple viewings for 90 days.

If you have any questions about access to the recording of a previous workshop, please contact us at admin@teachingstudios.com


 
 
 
Figure Painting: Warm and Cool

15 hour workshop
Instructor: Noah Buchanan

This workshop was recorded and access to it can be purchased below.

This figure painting workshop focuses on the use of color in terms of temperature. The instructor, Noah Buchanan, demonstrates that the effective use of a limited palette divides the artist's conception of color into warms, cools, and neutrals. Buchanan lectures on the temperature zones of the nude figure (local temperatures), the temperature effects of light, and how to determine the correct value of each color.

Workshop artists paint from high-resolution photographs of the nude model, including detailed images of complex areas (head, torso, hands, feet). Workshop participants will create a preliminary drawing, which will be transferred to the canvas (or panel) prior to the beginning of the workshop.

This workshop uses the mode of Direct Painting, where the paint is simply mixed on the palette to the desired value/temperature/color and applied directly to the painting without changing the transparency or opacity of the paint, and without calculating effects from various layers/behaviors of paint.

The Instructor demonstrates these methods/techniques and viewers can follow along. In addition, they have the option for personal critiques for an additional fee.


Drawn to the Masters: A Reinterpretation in Pen and Ink (JAN 2023)

A TWO-DAY ONLINE WORKSHOP
January 15 & 22, 2023
Time: 11:30am - 5:30pm EST
Instructor: Luis Colan

In this workshop, artists will use the work of the Masters as inspiration and starting point for a reinterpretation – not merely mimicking, but creating a new composition that reflects their own artistic vision in pen and ink. Traditionally, artists have looked to the Old Masters for inspiration and guidance. As a young artist in high school, instructor Luis Colan began a sketchbook dedicated to graphite copies of artists like Michelangelo, Raphael, and Rubens. His intent was never to be equal to them but rather to gather their knowledge. He hoped to unlock the secrets that would make him a better artist. Years later, Colan continues to look at the Old Masters with admiration and awe, using pen and ink in the search for clues left behind in their work. In this workshop, Colan will lead artists down the same path he himself followed many times.

This course is for anyone who is interested in learning to develop their drawing skills using pen and ink via landscape imagery.


Drawn to the Masters: A Reinterpretation in Pen and Ink (NOV 2022)

A TWO DAY ONLINE WORKSHOP
November 13 & 20, 2022
Time: 11:30am - 5:30pm EST
Instructor: Luis Colan

This workshop was recorded and access to it can be purchased below.

In this workshop, artists will use the work of the Masters as inspiration and starting point for a reinterpretation – not merely mimicking, but creating a new composition which reflects their own artistic vision in pen and ink. Traditionally, artist have looked at the Old Masters for inspiration and guidance. As a young artist in high school, instructor Luis Colan began a sketchbook dedicated to graphite copies of artists like Michelangelo, Raphael, and Rubens. His intent was never to be equal to them but rather to gather their knowledge. He hoped to unlock the secrets that would make him a better artist. Years later, Colan continues to look at the Old Masters with admiration and awe, using pen and ink in the search for clues left behind in their work. In this workshop, Colan will lead artists down the same path he himself he followed many times.

This course is for anyone who is interested in learning to develop their drawing skills using pen and ink via landscape imagery.


Warm and Cool: Temperature in Portraiture

Warm and Cool: Temperature in Portraiture
AN ONLINE WORKSHOP
Instructor: Noah Buchanan

This workshop is recorded and access to it can be purchased below.

This three-day online portrait painting workshop focuses on the use of color in terms of temperature. The instructor, Noah Buchanan, will demonstrate that the effective use of a limited palette divides the artist's conception of color into warms, cools and neutrals. Buchanan will lecture on the temperature zones of the face (local temperatures), the temperature effects of light, and how to determine the correct value of each color.

Workshop artists will paint from high-resolution photographs of the model, including detail images of each feature (eyes, nose, and mouth). Workshop participants will create a preliminary drawing, which will be transferred to the canvas (or panel) prior to the beginning of the workshop.

This workshop will occur in the mode of Direct Painting, where the paint is simply mixed on the palette to the desired value/temperature/color and applied directly to the painting without changing the transparency or opacity of the paint, and without calculating effects from various layers/behaviors of paint.

The Instructor will demonstrate the methods/techniques in real time, live on Zoom. Workshop participants will follow along and receive a personalized critique each day.

$50 off discount for purchasing two Buchanan workshops: NOAHBFOR2-50


Drawn to Nature: Sketchbook Drawing with Pen and Ink (AUG 2022)

A TWO DAY ONLINE WORKSHOP
August 7 & 14
Time: 11:30am - 1:30pm, 2:30pm - 5:30pm
Instructor: Luis Colan

This workshop was recorded and access to it can be purchased below.

Sketchbooks have been an important tool for artists throughout the centuries. In them many ideas, stories, and experiences have been recorded by simple means such as pencil and pen drawings. In recent years sketchbooks have become desirable objects which can mesmerize audiences with every turn of the page. In this two-day workshop, you will explore and celebrate nature through sketchbook drawing by using three types of pens. You will learn to create inviting scenes full of light by utilizing pen techniques which will give you a variety of line weight and tone. At the end of the workshop, you will become familiar with different pen and ink types, and be able to use the techniques learned here on any subject you choose in the future.

This course is for anyone who is interested in learning to develop their drawing skills using pen and ink via landscape imagery.


Figure Painting: The Historical Indirect Process

Learn the Techniques of the Flemish and Italian Masters
ONLINE WORKSHOP
Instructor: Noah Buchanan

Originally held July 9, 10, 16 • 2022
This workshop was recorded and access to it can be purchased below.

This 3-day workshop, Figure Painting: The Historical Indirect Process, will focus on Indirect Painting techniques, applied to the subject matter of the nude figure. Students will learn a strategically layered oil painting technique using stages known as:

•Imprimatura (or Wipe-Out) •Velatura •Full Color Form Pass

These historical techniques are seen at use in paintings by Rubens and Caravaggio.

Students will paint from video footage and photographic references of a studio model. Students will also observe live demonstration from the instructor, as well as receive direct feedback and critique from the instructor at multiple points during the creation of their own painting. The skills developed in this workshop will enable students to make their own paintings from life or photographic reference.

The first two stages of this process, Imprimatura and Velatura, closely parallel the techniques taught in the previous Drawing workshop with Noah Buchanan, which serves as a prerequisite for this course.

This workshop is a highly recommended to take along with Buchanan’s June workshop, Figure Drawing with Charcoal and White Chalk. $50 off discount for purchasing two Buchanan workshops: NBTWO-#$%


Figure Drawing with Charcoal and White Chalk

AN ONLINE WORKSHOP
Instructor: Noah Buchanan

Originally held JUNE 18, 19, 25 • 2022
This workshop was recorded and access to it can be purchased below.

This 3-day online Figure Drawing in Charcoal and White Chalk workshop will focus on drawing with charcoal and white chalk on toned paper, applied to the subject matter of the nude figure. Students will learn subtractive methods of charcoal drawing: the illusion of volume and form will be initiated on the page through the reduction of a charcoal wash. Learning will also include how to model form with Charcoal and white chalk, as well as allowing the toned paper to create volume and form.

This workshop is a highly recommended to take along with Buchanan’s upcoming workshop, Figure Painting: The Historical Indirect Process , as the same figure and pose will be used in both, for drawing and then painting.

$50 off discount for purchasing two Buchanan workshops: NBTWO-#$%


The Poster: Study of the Global Light Effect

An Online Workshop Held Over Two Days

Saturday & Sunday, June 11 & 12
Time: 12pm - 2pm, 3pm - 6pm EST
Instructor: Toby Hall

This workshop will be recorded.

In this two day online weekend painting workshop, we will explore the Poster Study (the global light effect). This foundational effect is what we see when we look at a painting from across the room: the big picture that all details are governed by. The course will begin with a demo on light theory for artists and progress into a series of perceptual studies after masterworks. These studies will help us question, understand and begin to represent the light effect on the subject abstractly via value, hue and chroma. As a byproduct of this study, we will gain a better strategic understanding of color mixing and composition. Each meeting will consist of demonstrations and constructive feedback for students.

 

Figure Drawing on Toned Paper

Sunday, April 3, 2022
Time: 11:00am - 1:00pm, 2:00pm - 5:00pm EST
Instructor: Daniel Maidman

​In Figure Drawing on Toned Paper, students will explore the luminous depiction of flesh on toned paper with Daniel Maidman. while working from a live model, who will be posing over Zoom. Students will use Maidman’s standard drawing toolkit of white and graphite pencils and tan printmaking paper, students will practice techniques and receive personalized critiques as well as discussion, demonstration about the fundamentals of life drawing.


Figure Painting Techniques

Online workshop held over two Sundays.
DECEMBER 5TH & DECEMBER 12TH
12 - 2 pm, 3 - 6pm EST

Instructor: Tobias Hall

A workshop designed for artists of all levels of experience

In Figure Painting Techniques, an online workshop, participants will study after specific masterworks in order to gain a better grasp of light and form as it pertains to a strategically organized painting practice. Conceptual and technical demonstrations will provide insight, and artists will receive direct feedback on their work. The goal of the workshop is to help artists cultivate a skill set that will make for a more mindful, efficient, and enjoyable figure painting process.


Drawn to Nature: Sketchbook Drawing with Pen and Ink

AN ONLINE WORKSHOP OVER TWO SUNDAYS

Oct 10 & 17
Time: 11:00am - 1:00pm, 2:00pm - 5:30pm
Instructor: Luis Colan

This workshop will be recorded and available for multiple viewings for a duration of one month.

Sketchbooks have been an important tool for artists throughout the centuries. In them many ideas, stories, and experiences have been recorded by simple means such as pencil and pen drawings. In recent years sketchbooks have become desirable objects which can mesmerize audiences with every turn of the page. In this two-day workshop, you will explore and celebrate nature through sketchbook drawing by using three types of pens. You will learn to create inviting scenes full of light by utilizing pen techniques which will give you a variety of line weight and tone. At the end of the workshop, you will become familiar with different pen and ink types, and be able to use the techniques learned here on any subject you choose in the future.

This course is for anyone who is interested in learning to develop their drawing skills using pen and ink via landscape imagery.


Drawn to Nature: Sketchbook Drawing with Pen and Ink - Sept

THIS WORKSHOP IS FULL
Look For New Dates in October

AN ONLINE WORKSHOP OVER TWO SUNDAYS

Sept 19 & 26
Time: 11:00am - 1:00pm, 2:00pm - 5:30pm
Instructor: Luis Colan

This workshop was recorded and access to it can be purchased below.

Sketchbooks have been an important tool for artists throughout the centuries. In them many ideas, stories, and experiences have been recorded by simple means such as pencil and pen drawings. In recent years sketchbooks have become desirable objects which can mesmerize audiences with every turn of the page. In this two-day workshop, you will explore and celebrate nature through sketchbook drawing by using three types of pens. You will learn to create inviting scenes full of light by utilizing pen techniques which will give you a variety of line weight and tone. At the end of the workshop, you will become familiar with different pen and ink types, and be able to use the techniques learned here on any subject you choose in the future.

This course is for anyone who is interested in learning to develop their drawing skills using pen and ink via landscape imagery.


 
 
Dynamic Rhythm & Movement in Figure Drawing and Composition

Saturday and Sunday, Sept 11th & 12th

Time:11:30am-1:30pm, 2:30-5:30pm

Instructor: Adam Miller

A 2 DAY ONLINE WORKSHOP
WITH A MODERN MASTER

Dynamic Figure Drawing begins with great movement and rhythmic design. 

In Dynamic Rhythm and Movement in Figure Drawing and Composition, contemporary master Adam Miller will help you learn to make figure drawings and compositions that are full of rhythm and life.
In order to give the figure a higher degree of believability, students should begin with considering major masses, anatomical surface form, and rhythm. By slight changes in emphasis in movements of muscles masses in the body- a complete movement of the entire figure from head to toe. As in the work of Michelangelo, Bernini, Giambologna and Peter Paul Rubens.
Often, when students begin to draw the figure from an academic perspective, they use the block-in method. This approach to the figure is rooted in abstraction, from a purely shape oriented perspective. The net result is that most academic figure drawings lack movement. Some think that this is because they’re too polished, too perfect. Rather, the lack of movement is due the fact that they contain too many decisions based on inaccurate observation.
This workshop will focus on the introduction of rhythm and movement to add “life” in your figure drawing and in compositions. Join us for a 10-hour intensive with one of the best figurative artists working today.


 
 
Alla Prima Landscape Painting Techniques

AN ONLINE WORKSHOP OVER TWO SATURDAYS

August 21 & 28
Time: 11:30am - 1:30pm, 2:30pm - 5:30pm
Instructor: Toby Hall

This workshop will be recorded.

In Alla Prima Landscape Painting Techniques students will be introduced to several essential concepts that can contribute to a more efficient and successful direct landscape painting experience. After cultivating an awareness of the global light effect and by rehearsing the color block in, students will utilize those strategies in alla prima landscape paintings in this 2 Day workshop. The two days are spaced one week apart to give students time to work on their projects and apply the techniques taught by Toby Hall.

The workshop content will be demonstrated and practiced over two days by studying landscape sketches of several great landscape painters that have inspired Hall. This will allow for the exploration of various light conditions, terrain and perspectives. Ultimately, the tools and knowledge gained from this class can be applied to working en plein air., in natural light.


 
 
Drawn to Nature: Sketchbook Drawing with Pen and Ink

A TWO DAY ONLINE WORKSHOP
August 15 & 22
Time: 11:30am - 1:30pm, 2:30pm - 5:30pm
Instructor: Luis Colan

This workshop will be recorded.

Sketchbooks have been an important tool for artists throughout the centuries. In them many ideas, stories, and experiences have been recorded by simple means such as pencil and pen drawings. In recent years sketchbooks have become desirable objects which can mesmerize audiences with every turn of the page. In this two-day workshop, you will explore and celebrate nature through sketchbook drawing by using three types of pens. You will learn to create inviting scenes full of light by utilizing pen techniques which will give you a variety of line weight and tone. At the end of the workshop, you will become familiar with different pen and ink types, and be able to use the techniques learned here on any subject you choose in the future.

This course is for anyone who is interested in learning to develop their drawing skills using pen and ink via landscape imagery.


 
 
Indirect Portrait Painting: Imprimatura and Velatura Techniques

Learn the Techniques of the Flemish and Italian Masters
AN ONLINE WORKSHOP
Instructor: Noah Buchanan

Originally held July 10, 11, 17 • 2021
This workshop was recorded and access to it can be purchased below.

This 3-Day workshop , Indirect Portrait Painting: Imprimatura and Velatura Techniques, will focus on Indirect Painting techniques, applied to the subject matter of the human head. Students will learn a strategically layered oil painting technique using stages known as:

•Imprimatura (or Wipe-Out) •Velatura •Full Color Form Pass

These historical techniques are seen at use in paintings by Rubens and Caravaggio.

Students will paint from video footage and photographic references of a studio model. Students will also observe live demonstrations from the instructor, as well as receive direct feedback and critique from the instructor at multiple points during the creation of their own paintings. The skills developed in this workshop will enable students to make their own paintings from life or photographic reference.

The first two stages of this process, Imprimatura and Velatura, closely parallel the techniques taught in the previous Drawing workshop with Noah Buchanan, which serves as a prerequisite for this course.

This workshop is a highly recommended to take subsequent to Buchanan’s June workshop, Portrait Drawing with Charcoal and White Chalk

$50 off discount for purchasing two Buchanan workshops: NBTWO-#$%


 
 
Portrait Drawing with Charcoal and White Chalk

AN ONLINE WORKSHOP
Instructor: Noah Buchanan

Originally held June 19 , 20 , 26 • 2021
This workshop was recorded and access to it can be purchased below.

This 3-Day Online Portrait Drawing in Charcoal and White Chalk, workshop will focus on Drawing with charcoal and white chalk on toned paper, applied to the subject matter of the human head. Students will learn subtractive methods of charcoal drawing: the illusion of volume and form will be initiated on the page through the reduction of a charcoal wash. Learning will also include how to model form with Charcoal and white chalk, as well as allowing the toned paper to create volume and form.

This workshop is a highly recommended to take subsequent to Buchanan’s workshop, Indirect Portrait Painting: Imprimatura and Velatura.

$50 off discount for purchasing two Buchanan workshops: NBTWO-#$%


 
 
Process And Composition In Narrative Painting

ONLINE WORKSHOP
Carl Dobsky, Instructor
Two Saturdays, June 5 & 12
11:30am-1:30pm, 3:30-5:30pm EST
An online workshop over 2 days, set one week apart to allow for work on the assignment

In Process And Composition In Narrative Painting, students will learn the arrangement of important elements of design in a narrative work. When composing an image, we are looking for a formal arrangement that will carry the emotional weight and expression that a given subject requires. Establishing the various elements of the picture in a unified and cohesive way can be challenging in any genre, and this is certainly true when dealing with complex multi-figure work. In this workshop we will focus on the process of creating a narrative work and how to approach the design in a series of steps from concept to preparatory sketches and studies.


 
 
Landscape Painting in Oils

AN ONLINE WORKSHOP OVER TWO SUNDAYS
March 14 & 21
Time: 11AM-1PM , 2- 5PM EST
Instructor: Kenneth Salaz

Join us for Landscape Painting in Oils, a workshop over two consecutive Sundays, March 14 & 21, with Kenneth Salaz. This workshop will focus on deepening your fundamental skills as an artist and painter and is based off the contents of his book Landscapes in Oils, which will be used as a reference. Salaz will begin the workshop with a demonstration of a studio landscape painting and participants will then proceed to paint the same image under Salaz’ guidance. As the afternoon progresses, he will provide individual critiques helping students achieve an in-depth understanding of drawing, value, color, light quality and paint application. If you have been searching for a landscape workshop that will enable you take your landscape paintings to a masterful level, then please join us over two Sunday afternoons.

 
 
Figure Drawing on Toned Paper

Saturday, February 20, 2021
Time: 11:00am - 1:00pm, 2:00pm - 5:00pm
Instructor: Daniel Maidman
2 Levels: Participant or Observer

​In the Figure Drawing on Toned Paper Workshop, students will explore the luminous depiction of flesh on toned paper with Daniel Maidman. Working from a live model will be posing over Zoom, and Maidman’s standard drawing toolkit of white and graphite pencils and tan printmaking paper, students will practice techniques and receive personalized critiques as well as discussion, demonstration about the fundamentals of life drawing.

The workshop is available in two formats: Participant ($150) and Observer ($50).

 
 
The High Chroma Still Life

AN ONLINE WORKSHOP OVER TWO SATURDAYS
OCT 10 & 17
11-1PM, 2-5PM
Instructor: Todd Casey

Still life is always a great place to start for students learning about color. In this workshop students will learn the fundamentals of how to create a still life painting from direct observation and will gain an understanding of color theory and working with vibrant relationships of color.

The instructor will provide lectures, demonstrations, and give individual critiques working one on one with each student. Students of all levels are welcome.

During the course of the workshop, each student will do a still life painting of their setup. Some topics discussed will be direct vs. indirect methods of painting, composition, depth, drawing, light, rolling form, edges, transfer methods and how to work a narrative into your work. Materials commonly used in creating Still Lifes will be discussed (paints, brushes and board/canvas).

Casey will be teaching principles of Still Life painting from his best selling book, The Art of Still Life, published by the Monacelli Press in 2019.

 
 
Perspective Workshop: Narrative Compositions


Carl Dobsky, Instructor
10 hour workshop
A step by step approach throughly covering one and two point perspective and a basic introduction to three point.

One aspect of picture making that is always of great concern to figurative artists is the arrangement and organization of space. Ever since the Renaissance, a working of knowledge of the mechanics of linear perspective has been absolutely necessary in the development of realistic images. This is as true today as it was then. The study of perspective provides the means of arranging multiple figures, objects, and architectural elements into a cohesive whole that can help provide not only the setting for narrative images, but can also be used to heighten the drama and sense of poetry in a work.

 
Process And Composition In Narrative Painting

Carl Dobsky, Instructor
Sunday May 17 & 24
11am-1pm, 3-5pm EST
A workshop over 2 days, set one week apart to allow for work on the assignment
This workshop is full. We are taking names for a waitlist for the next one.

In Process And Composition In Narrative Painting, students will learn the arrangement of important elements of design in a narrative work. When composing an image, we are looking for a formal arrangement that will carry the emotional weight and expression that a given subject requires. Establishing the various elements of the picture in a unified and cohesive way can be challenging in any genre, and this is certainly true when dealing with complex multi-figure work. In this workshop we will focus on the process of creating a narrative work and how to approach the design in a series of steps from concept to preparatory sketches and studies.

 
 
The Painted Machine - A Still Life Workshop

Saturday and Sunday
March 7 & 8, 10:30am-4:30pm

John Morra, Instructor

In this workshop, painters will explore a unique property of the still life genre: its power to glorify an ordinary machine-- even an ugly or drab one- transforming it into a startlingly fresh picture. Each painter will bring their own props, or select from the instructor’s junk collection, and learn how to configure these unassuming items into an intriguing arrangement. The instructor will explain and demonstrate central concepts for successful still life painting: light, atmosphere, simplified value structure, implied landscape features, and perspective.

 
 
Figure Drawing on Toned Paper

Sunday, February 9, 2020
Time: 10:30am-4:30pm

Daniel Maidman, Instructor:

In the Figure Drawing on Toned Paper Workshop, students will explore the luminous depiction of flesh on toned paper with Daniel Maidman. Using Maidman’s standard drawing toolkit of white and graphite pencils and tan printmaking paper, students will practice techniques and receive personalized critiques as well as discussion, demonstration about the fundamentals of life drawing.

 
 
Alla Prima Floral Painting

Sunday, August 25th

Time : 10-1pm, 2-5pm

Instructor : Stephanie Deshpande

In this Alla Prima Floral Painting workshop, students learn how to capture the beauty of a floral arrangement in oil paint, in one sitting. Students will block in the composition directly on the canvas, measure main landmarks, and mass in large value areas. Deshpande will discuss the importance of comparing values, measuring, finding edges, and looking for color relationships. She will demonstrate the simple steps necessary to create a successful alla prima floral painting.

 
 
 
 
Alla Prima Portrait Using the Zorn Palette

Friday, June 14th
Time: 10:30am - 4:30pm
Instructor: Devin Cecil Wishing

“How do you mix flesh colors?”  This is one of the most common questions  students ask.  Often times artists can be overwhelmed by the full array of colors available to choose from when painting from the model.  In this workshop we will explore a simple system for achieving realistic flesh tones using just four colors.

  The “Zorn Palette”, named after Swedish painter Anders Zorn, is one of the most popular palettes for painting skin tones in the academic painting world today.  Using just four tubes of paint, we can achieve a wide range of colors and values to fully describe the forms of the face and the figure.

 
 
 
Plein Air Landscape Painting Workshop

Sunday, April 7th
Time: 10:30am - 4:30pm
Instructor: Bennett Vadnais

For artists working in oils or acrylics:

In Plein Air Landscape Painting Workshop, Bennett Vadnais will discuss how to tackle the unique challenges of painting outdoors. Students will learn a simple and effective approach to capture a landscape effect in a short period of time. Basic elements of landscape painting will be covered such as: how to use your materials in the easiest and most efficient manner, how to select a subject, and how to develop a study from start to finish.

 
 
 
Figure Drawing on Toned Paper

Sunday, February 10, 2019
Time: 10:00am - 1:00pm, 2:00pm - 5:00pm
Instructor: Daniel Maidman

In the Figure Drawing on Toned Paper Workshop, students will explore the luminous depiction of flesh on toned paper with Daniel Maidman. Using Maidman’s standard drawing toolkit of white and graphite pencils and tan printmaking paper, students will practice techniques and receive personalized critiques as well as discussion, demonstration about the fundamentals of life drawing.